THE RECORD · RETROSPECTIVE
Fifteen years, as photographed.
A curated selection from the working archive — the yard, the warehouse, the storefronts, the showroom, the bench. Dates are the photographs’ own. Captions describe what is in frame; nothing is restaged.
01 · 2015
A yard, a projector, a can of paint
The problem is stated outdoors: a projected image that dies in daylight and survives only after dark. A name goes on a can. A warehouse is found.
10 photographs
02 · 2016
Naming the family
Six names for six intentions. Glass held to the sky, panes masked and coated by hand, the first storefront window lit from inside, and a shelf where every formulation is kept.
11 photographs
03 · 2017
The year of the screen
Large transparent screens on rolling frames, the roll door open, ambient light as the adversary and the test. A storefront demonstration planned against the sun's path. Formulation discs labelled and dated. Spray tooling, raw powder, a lattice lit from within.
34 photographs
04 · 2018
Industrial scale
Tanks and mixers replace buckets. White batches, green batches, blue vessels. Coated sheets stand in the sunset; films hold an image in open shade.
16 photographs
05 · 2019
Into the room
Displays leave the bench and enter architecture: a showroom, a conference room, a framed display called FOCUS, a storefront seen from the street at night, a house window that carries an image by day and by evening. Behind them, a lab with microscopes.
22 photographs
06 · 2020 – 2021
A quieter bench
Pigments, a bold claim on a can, a thought about structured light for crops, tall vertical displays at home, and a mark that will carry the work forward.
8 photographs
07 · 2026
Today
Living light. The material, the forms and the record continue.
1 photograph